The picture on the wall also includes the picture on the wall, creating a recursion effect (i. The cover artwork shows the members of the band, with a picture hanging on the wall showing the same scene, except that the band members have switched positions. Mason's " The Grand Vizier's Garden Party" featured his then wife, Lindy, playing flute and Mason playing a seven minute drum solo. He asked Waters to write some lyrics for his compositions, but he refused to do so. Gilmour said he "just bullshitted" through the piece. Gilmour has since stated he was apprehensive about creating a solo work, and admits he "went into a studio and started waffling about, tacking bits and pieces together", although part one of " The Narrow Way" had already been performed as "Baby Blue Shuffle in D Major" in a BBC radio session in December 1968. Waters' other contribution Grantchester Meadows was a more pastoral acoustic offering and was usually played as an opening to concerts over 1969. Waters' " Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict" contained a variety of vocal and percussion effects treated at various speeds, both forwards and backwards, and was influenced by Ron Geesin, who would later collaborate with both Waters and Pink Floyd. Although initially enthusiastic about making a solo contribution, Wright later described it as "pretentious". Wright's contribution, "Sysyphus", was named after a character in Greek mythology, usually spelled " Sisyphus", and contained a combination of various keyboards, including piano and mellotron. The studio album came as a result of Richard Wright wanting to make "real music", where each of the four group members (in order: Wright, Roger Waters, David Gilmour and Nick Mason) had half an LP side each to create a solo work without involvement from the others.
The band had also recorded a live version of " Interstellar Overdrive" (from The Piper at the Gates of Dawn) intended for placement on side one of the live album, and " The Embryo", which was recorded in the studio before it was decided that the band members each come up with their own material.
The site of Mothers Club, Birmingham, where some of the live album was recorded.Īlthough the sleeve notes say that the live material was recorded in June 1969, the live album of Ummagumma was recorded live at Mothers Club, Birmingham on 27 April 1969 and the following week at Manchester College of Commerce on 2 May of the same year as part of The Man and The Journey Tour. Problems playing this file? See media help. Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict MENU 0:00 This song on the studio disc featured a variety of vocal and percussion effects sped up, slowed down, reversed, and spliced together. According to Moore, he made up the term himself. The album's title supposedly comes from Cambridge slang for sex, commonly used by Pink Floyd friend and occasional roadie, Ian "Emo" Moore, who would say "I'm going back to the house for some ummagumma".
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